GONE

Mankind is under a magnifying glass in GONE which thoughtfully exposes the most charged and the most mundane of the human experience in a poetic, visceral collage for the stage.  Be it a recounted nightmare, a lover’s plea, or a blogger’s simple account of her day, the longings of life are achingly explored. As time slips by, characters grapple to communicate their deepest thoughts, love to the fullest, struggle to recreate a memory, and live life with significance before time is gone.