Shipping & Handling is a theatrical experience constructed as a night out at the theatre told in reverse. The playwright shuffles chronology in order to scramble our historical expectations around Black plays, and unmap our limited vision of a future AI world. Are creations always a reflection of their creator? Can an AI bear witness to divine prophecy? Shipping & Handling seeks to transmit a signal for locating the tone of what it means to be human in this specific moment, and collectively reimagine our future design.
A revolutionary world premiere from Crowded Fire & Campo Santo’s Playwright In Residence, Star Finch, Shipping & Handling explores how our humanity will be measured within the soon to be robotic-reality. As an audience member, you’ll start at a moment in time and move back; from an afterparty with actors, to a playwright’s experimental talkback, to the performance of the play you’ve been hearing all about, a surreal and beautiful future vision from a Black Feminine gaze.
Friday, August 30th, 7pm
Live in the Magic Theatre Lobby; livestreamed on Instagram
Is AI a true reflection of its creator? | Alex Hanna, the Director of Research at the Distributed AI Research Institute (DAIR), and fellow researcher Adrienne Williams will share their thought-provoking research on bias in artificial intelligence. This enlightening discussion, moderated by Director & Dramaturg Leigh Rondon-Davis will help us collectively imagine a new relationship with this technology for the future. Livestreamed on Instagram and held in-person at the Magic Theatre!
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Saturday, August 31st, 3pm
Live at the Magic Theatre
Spend an extraordinary day at the theatre with performances and a special event from Crowded Fire and Magic Theatre! On August 31st at 3:00pm, we’re kicking things off with a performance of Crowded Fire Theater’s Shipping & Handling by Star Finch. What’s next? Well, that’s up to you! Choose between a sumptuous dinner at Fort Mason’s award-winning eateries Greens or Radhaus, with 10% off your meal, then join us for a lively Happy Hour in the Magic lobby, including a performance by Mimi Tempestt at 7:30pm. The evening continues just across the hall with a captivating performance of Magic’s Richard II at 8:00pm!
Use the code “DOUBLEFEATURE” to get 50% off tickets to BOTH 8/31 performances, and join us for a day of miraculous theater!
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Thursday, September 5th, 6:15pm
Live at the Magic Theatre, followed by the 8pm performance of Shipping & Handling
TO RSVP: Please complete our RSVP Form linked here: https://bit.ly/writing-portals
As AI continues to dominate news headlines, the narrative around how it will shape our future can feel inescapable. But who gets to imagine what our future looks like? Playwrights and storytellers have long been engineers of new worlds. If the raw material AI mines is our thoughts, our emotions, and our stories–all the things that make us human–how can we decentralize it in our vision for the future through artistic imagination? Can opening the page open us to new possibilities?
Join Playwrights Foundation and Crowded Fire for a reception and conversation with playwrights Jon Bernson, Eugenie Chan, Leigh M. Marshall, and Star Finch as they delve into their approaches to imagining portals to new worlds and new futures. This event will be moderated by Playwrights Foundation Artistic Producer, AeJay Mitchell.
After the panel discussion, stick around for Star Finch’s world premiere of Shipping & Handling at 8pm!
Star Finch (she/her) is a homegrown San Franciscan trying her best to hold ground amidst the erasure of gentrification. She is currently the Mellon Foundation Playwright in Residence at Campo Santo and Crowded Fire Theater. She’s an alumni of the Resident Playwrights Program (2018-2022) at Playwrights Foundation, where she also received an inaugural Playwrights Foundation Launch Award recognizing her career’s dynamic liftoff in the Bay Area in 2023.
Finch’s plays include H.O.M.E. [Hookers on Mars Eventually], BONDAGE (Relentless Award honorable mention), and JOSEPHINE’S FEAST. Her multidisciplinary collaborations include Campo Santo’s ETHOS DE MASQUERADE (with Global Street Dance Masquerade) and Crowded Fire’s DEATH BECOME LIFE (with Ensemble Mik Nawooj and AXIS Dance Company). In 2023 her play BONDAGE had its regional premiere at the Undermain Theatre in Dallas, TX.
Featuring:
Nova / Attendant Time: Tierra Allen
Playwright: Rolanda D. Bell ◼
Malika / Doctor Mother-Mercy: Cat Brooks ◼
Chloe, Internal Swing – Indigo: Jamella Cross ◼
August / Conductor-7: Andre K. Jefferson ◼
Indigo: Davia Spain
Alani / Assessor-7: Jasmine Williams
Dancer, Internal Swing – Nova / Attendant Time: hodari blue
Understudy – Doctor Mother-Mercy: Rezan Asfaw
Understudy – Alani / Assessor-7: Sundiata Ayinde
Understudy – Chloe / Playwright: Jessica Dim
Understudy – August / Assessor-7: Jerome White
◼ Member of Actors’ Equity Association / SAG-AFTRA
Director: Lisa Marie Rollins
Director & Dramaturg: Leigh Rondon-Davis ★
Stage Manager: Rachel Mogan ★
Assistant Stage Manager: Latiece Brown
Scenic Designer: Tanya Orellana
Props & Associate Scenic Designer: Ashley Méndez
Costume Designer: Brooke Jennings
Hair & Wigs Designer: Monyé Durham
Make-Up Designer: Carla Grace Fajardo
Lighting Designer: Ray Oppenheimer
Sound Designer: Miles Lassi
Associate Sound Designer: Alex Fakayode
Video & Projections Designer: Wolfgang Lancelot Wachalovsky
Scenic Builder: Beckett Finn
★ Crowded Fire Resident Artist
“The natural banter of the Black actors backstage is—I say from experience—hilarious…. and touching.”
“Finch and co-directors Lisa Marie Rollins and Leigh Rondon-Davis have an excellent cast on their hands.”
“Indeed, the Indigo section—with its amazing costumes by Brooke Jennings—has a Butler-esque ring that will immediately be recognizable to anyone who’s read the Patternist or Parable books.”
“Tanya Orellana has delivered another winning set by relying on simplicity in depicting both present and future… ”
– In ‘Shipping & Handling,’ a meta-sci-fi scan of AI and Blackness, Charles Lewis III, 48hills, August 27, 2024
“…channeling the Genius of Black Women.”
“Shipping and Handling is voluble and experimental, bursting with humor and intrigue.”
“Crowded Fire presents a complex, experimental production of a new play, a new path. Shipping & Handling presents challenges as well as empowering revelations. I found both high peaks and uncanny valleys to explore.”
– Shipping & Handling Challenges with Wise ‘Black Robots’ at Crowded Fire, Mary Lou Herlihy, Theatrius, August 17, 2024
“…Finch’s exploration leads to a precipice where a Black feminine gaze is the ultimate future vision.”
“It is an ambitious work, a style where Finch’s sense of play within her work cuts deep.”
“With anything that’s experimental, some people will tap into it, and others will say things like, ‘I don’t know what that was or that wasn’t for me’ type of thing.”
“While Finch loves the challenge that quality Black art can present, her play advocates for the highest echelons of what any great art can do to inform a community.”
“What’s exciting about this piece is there are these really beautiful dreams and hopes and manifestations for what our future could be… It offers some really clear ways on how to do that, by tapping into our humanity, by seeing us all thriving as a part of this future world, a future that’s not dependent on the oppression of other people.”
– An examination of Black art and artificial intelligence takes focus in Finch’s ‘Shipping & Handling’ at Crowded Fire, Interview with Playwright Star Finch and Director Leigh Rondon-Davis by David John Chávez, Bay Area Plays.com, August 22, 2024
“Star Finch says she wants to put people in a dream state with her plays. But paradoxically, with her latest Crowded Fire Theater production… Finch’s most ambitious to date, she also wants to awaken them…”
“With her latest script, [Star Finch] says [she] wanted to scramble expectations, not write a play where Black people have to prove their humanity matters.”
– Star Finch’s ‘Shipping & Handling’ urges consideration of what we’re being delivered, Emily Wilson, 48hills, August 14, 2024
“We’re witnessing a coordinated push to accept an ‘AI future’ across multiple industries without any pause for our actual consent. So, I definitely think that this play will enter the audience at a different angle in 2024 than it would have in 2020.”
“Why is only one type of imagination still in a position of power to create our collective reality?” Finch asks. “We didn’t get to vote if Waymo cars should flood the streets day and night, yet suddenly empty driverless cars are our daily experience? It’s madness. And that wildfire feeling has yet to let up.”
– Crowded Fire Premieres Sf Playwright Star Finch’S Tech-Themed ‘Shipping & Handling’ At Long Last, Charles Lewis III, Bay City News & SFGATE, August 9, 2024
The Bernard Osher Foundation
Sam Mazza Foundation
Zellerbach Family Foundation
National Endowment for the Arts
Kenneth Rainin Foundation
Andrew W. Mellon Foundation
Playwrights Foundation
Shipping & Handling was made possible in part by a grant from The Creative Work Fund, a program of the Walter and Elise Haas Fund that also is supported by The William and Flora Hewlett Foundation.
Supported by The Rella Lossy Award, a grants program of Theatre Bay Area.
Crowded Fire Organization Funders
William and Flora Hewlett Foundation